Re(learning) as a way of connecting with forgotten selves

My connection to my former selves is sometimes so tenuous that I feel compelled to reach across the years. I inspect old photos and journals, and even conduct tests, eager to discover if the me that I seem to be now can still do what previous versions of me learned to do. As a youngster, I played sports, and the trumpet. I wrote short stories, explored old libraries, and shot black and white film. Where did that person go? 

My first bout with this cheap, new-used trumpet, just a few months ago, was a little rough. I sputtered and panted, and my tone was so poor I wondered if the instrument was stuffed with spiders’ eggs. Even so, I was surprised to find that my lips and fingers slipped automatically into the chromatic scale. I moved up and down the rickety steps with difficulty, as if I’d just had a knee replacement, but I moved. And my improvement has been rapid. In fact, I think I’m already better than I was as a diffident junior high school band kid. 

On the one hand, there is nothing interesting about this. It’s just muscle memory and motivation, a simple case of never-forgetting-how-to-ride-a-bike. But my deeper question is still tangled up in there. How can it possibly be that this fifty-something version of me is still the same person that I used to call me? Back then I was, or so I now recall, intense, cynical, and more than a little nihilistic. I was also angry, arrogant, and injured. Today I am hopeful, energized, and as imbued with meaning as a poem spilling from the page. I simply do not feel like the young me who pushed through the world like a dull razor, constantly sorting, assessing, and finding lack.

So, yes, it is shocking to find out what these hands, wrapped around this cold brass instrument, can do. I study them with interest: an arthritic finger that I broke playing basketball, a barely concealed map of veins, and incipient age spots that I should probably just start calling “age spots.” Rarely out of my view, these hands are evidence of continuity between me and that young person from long ago, the one who peers at me from photographs. She who is innocent of all she will face and inflict in the decades to come, ignorant of the fact that one day she will turn out to be me.

My fingers, lungs, and lips are here to tell me what my eyes and intellect cannot always fully accept: “You are still her.” And in the wake of this announcement, the bleat of my humble trumpet seems suddenly appropriate. Because though I can sometimes accept that I am her, I refuse to fully do so, and the result feels delightfully queer. I can acknowledge that, in one sense, I am the baby in those pictures, but I was not born as the person who writes these words. She who sits here now is a practiced achievement and an accident, not fully comprehensible by the “nature/nurture” binary or by the stories I, and others, tell about who I am and have been. 

If I were more like my students and young friends, then, and more inclined to resist “labels” or claim “fluidity,” it would be because of the delightfully weird distance and proximity of who I am to who I’ve been, and the wide open window of who I might still practice becoming in middle age, in old age, and beyond. There is a thread connecting me back to who I was then, but it is like a line of musical notes on a page, merely the result of some dead composer’s whims, subject to revision and improvisation. 

Is online teaching a path to enlightenment?

My greatest challenge with online teaching has had little do with the obvious difficulty of adapting to the technology. Sure, the first couple of times I bushwhacked my way through, wrestling with features like the maddening grade book set up, drop box restrictions, and feedback release conditions. There are, to be sure, a million and one logistical curve balls to be negotiated, complicated workflows that must be etched into one’s brain because they will never make intuitive sense. But, by far, online teaching’s greatest challenge and opportunity for me has been as a venue for self-scrutiny and reinvention. Perhaps this is just a long way of reiterating that I’m fascinated enough by the link between mindfulness and online teaching to write a blog about it.

So, while my posts are rooted in my practical experience as an online instructor, they are not primarily about online teaching as such. As I explained to a reader recently: “My interests come down mainly to three things: self-reflection, intentionality, and conscious transformation.” Far from being a grueling slog, then, I find online teaching to be tinged with pleasurably narcissistic introspection, like the indulgence of taking a personality quiz in Psych 101. And I’ve learned I must cultivate this kind of curiosity about teaching work if I am to continue to be good at it year after year. Studying my experience of teaching through the lens — microscope, telescope, and kaleidoscope — of mindful self reflection keeps it alive, authentic and interesting to me. This apparently practical business of teaching online, then, is, is, for me, a wormhole into a realm that is satisfyingly and sometimes unnervingly psychological and spiritual.

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I’m Buddhist (and existentialist) enough to see that the bare facts of impermanence and death both sculpt and contort our lives. I accept that, in large measure, we carefully construct our ultimately rickety professional and personal identities to serve as bulwarks against angst and despair. No wonder, then, that the seismic changes in higher education have often felt like assaults against the professor’s very sense of self. Whatever the societal devastation being wreaked by the ongoing devaluation of higher education — and it is catastrophic — it has also deeply rattled those of us who have formed our identities within its walls. It took me ages to develop the expertise and poise of a compelling, effective classroom professor. What an insult to have this stripped from me in the name of progress! Teaching online, then, isn’t just a tech heavy, but otherwise benign, modality shift. For many of us — teachers and students — it can radically displace our basic sense of competence, worth, and purpose.

It’s an open secret, of course, that losing the plush or dreary comfort of one’s identity can become a doorway to richly transformative, previously unimaginable futures. I write these posts, then, not primarily as an online teacher offering practical pedagogical advice, but as a professor leveraging the changes in my profession to nurture personal growth. Online teaching is, after all, merely one potential vehicle to where most of us really want to go, a place of service, sure, but one that also satisfies a deeper hunger. If there are a thousand ways to kiss the earth, then here in this futuristic, sometimes dystopic, present, teaching online is surely one of them. If we overlook this invitation, though, then we are like the guests at a great banquet who, having eaten their fill of appetizers in the foyer, never make it to the feast at all.